Luigi Martinati
Pupil of the Florentine Academy of Fine Arts, he immediately devoted himself to illustration advertising, drawing, between 1923 and 1941, posters of various subjects (commercial advertising, tourism, etc. for events.). He worked in Rome serving as artistic director dell'IGAP (General Billboard Advertising Company), which also collaborated with Dudovich and Nizzoli. After the war he left the advertising industry to devote himself exclusively to the program of cinema. With Anselmo Ballester and Alfredo Capitani created the BCM study from which came many movie posters in a distinctly realist.
(Source: AA.VV., Catalog Bolaffi Manifesto Italian, Giulio Bolaffi Editore, Turin 1995)
Hondo
1953
Calamity Jane
1953
Crime Wave
1953
Blowing Wild
1953
Island in the Sky
1953
Plunder of the Sun
1953
South Sea Woman
1953
House of Wax
1953
House of Wax
1953
The Blue Gardenia
1953
The Blue Gardenia
1953
I Confess
1953
I Confess
1953
The Iron Mistress
1952
Operation Secret
1952
The Crimson Pirate
1952
Big Jim McLain
1952
Big Jim McLain
1952
Carson City
1952
Where's Charley?
1952
Where's Charley?
1952
Mara Maru
1952
Mara Maru
1952
Retreat, Hell!
1952
Retreat, Hell!
1952
Room for One More
1952
Room for One More
1952
The Tanks Are Coming
1951
The Tanks Are Coming
1951
Come Fill the Cup
1951
Come Fill the Cup
1951
Close to My Heart
1951
Close to My Heart
1951
Force of Arms
1951
Fort Worth
1951
Fort Worth
1951
Strangers on a Train
1951
Strangers on a Train
1951
The Enforcer
1951
Operation Pacific
1951