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Vincent Canby, New York Times: Like a dream, it is most mysterious and allusive when it appears to be most precise and direct, when its images are of the recognizable world unretouched (as happens in the film from time to time) by camera filters or lab technicians. Read more
Dave Kehr, Chicago Reader: Robert Altman's would-be American art film (1977) is murky, snide, and sloppy. Read more
Roger Ebert, Chicago Sun-Times: I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. Recurring dreams are like that. Read more
Michael Sragow, New Yorker: Throughout, Duvall is brilliant: she coins a brand-new caricature of the confident yet clueless single female, then suggests a real person underneath. Read more
Michael Atkinson, Village Voice: A gauzy, perfectly executed vacation in Doppelganger-burg. Read more