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Stephen Holden, New York Times: Its picture of a world where people spy on one another reverberates with a post-cold-war paranoia, evoking the chilling notion that privacy, like love, may also be just an illusion. Read more
Jonathan Rosenbaum, Chicago Reader: A remarkable 1988 Polish feature expanded by Krzysztof Kieslowski from his film The Decalogue. Read more
Edward Guthmann, San Francisco Chronicle: It's well-crafted and satisfying, even if it lacks the depth of Red. Read more