Salò o le 120 giornate di Sodoma 1976

Vincent Canby, New York Times: A perfect example of the kind of material that, theoretically, anyway, can be acceptable on paper but becomes so repugnant when visualized on the screen that it further dehumanizes the human spirit, which is supposed to be the artist's concern. Read more

Jonathan Rosenbaum, Chicago Reader: Very hard to take, but in its own way an essential work. Read more

Geoff Andrew, Time Out: It's very hard to sit through and offers no insights whatsoever into power, politics, history or sexuality. Nasty stuff. Read more