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Reviews provided by RottenTomatoes
Stephen Holden, New York Times: We see the impostor's trickery but not the pain driving it. Read more
Nick Schager, Time Out: Characterized by a consistent scarcity of both drama and suspense. Read more
Moira MacDonald, Seattle Times: Though there's plenty of skill on display here, "The Chameleon" is one of those films that feels out of whack, as if it focuses too much energy on the wrong story, leaving a more interesting one in the background. Read more
Gary Goldstein, Los Angeles Times: Salome and co-writer Natalie Carter offer some explanatory psychology, but the complexities remain underdeveloped. Still, you won't be bored. Read more
Aaron Hillis, Village Voice: Screenwriters, take note: Unless your story is a whodunit, it's an unforgivable flaw to telegraph early and often that, sometime during the final act, we should anticipate the proverbial rug to be pulled. Read more