The Last Supper 1995

Janet Maslin, New York Times: The Last Supper shows some darkly effective visual style, but it has none of the wit needed to save such a story from lumbering obviousness and sophomoric political debate. Read more

Entertainment Weekly: Read more

James Berardinelli, ReelViews: For the first thirty minutes, this picture takes a solid premise and runs with it. Unfortunately, the momentum eventually flags, and The Last Supper meanders through an unnecessarily-protracted middle segment. Read more

Roger Ebert, Chicago Sun-Times: A brave effort in a timid time, a Swiftian attempt to slap us all in the face and get us to admit that our own freedoms depend precisely on those of our neighbors, our opponents and, yes, our enemies. Read more

Mick LaSalle, San Francisco Chronicle: You know you're in good hands in The Last Supper from the well-directed first scene. Read more

Geoff Andrew, Time Out: It falls apart, but the cool cast and caustic script will leave most right-thinking people well satisfied. Read more

Emanuel Levy, Variety: This low-budgeter that "came out of nowhere" is a fresh, pungent tale about Right and Left--and Right and Left--in contempo American politics, well-acted by a gifted ensmeble, including the young Cameron Diaz. Read more