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Reviews provided by RottenTomatoes
Dave Kehr, Chicago Reader: Russ Meyer's 1968 skin-flick is a hilarious, stylistically adroit compendium of middle-American preoccupations: breasts, fishing, anticommunism. Read more
Roger Ebert, Chicago Sun-Times: Good unserious fun. Read more
Time Out: The film that showed Meyer to have the most dynamic editing style in American cinema, and took him from nudie king to national monument via the most outrageous exploitation of bosom buddydom ever. Read more
Simon Abrams, Village Voice: Stands as a prime example of Meyer's infantile and sometimes disarmingly protean perversity. Read more