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Reviews provided by RottenTomatoes
Bosley Crowther, New York Times: On the whole his imagery is forceful. Read more
Dave Kehr, Chicago Reader: Akira Kurosawa's first critical success (1948) is an odd blend of American film noir and Italian neorealism. Read more
Keith Phipps, AV Club: It's effective in its own right and a fascinating preview of films to come. Read more
Gary Dowell, Dallas Morning News: Considered by many to be Akira Kurosawa's directorial breakthrough, the movie that introduced Kurosawa the artist to the world. Read more