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Reviews provided by RottenTomatoes
Robert Denerstein, Denver Rocky Mountain News: Read more
Susan Stark, Detroit News: Read more
Philip Wuntch, Dallas Morning News: The movie's biggest fatality is the lack of chemistry between the two stars. Even in their most amorous moments, they seem like a randy uncle and his sad-eyed niece. Read more
Stephen Holden, New York Times: If the movie ... exhibits a loving eye for Manhattan exteriors, it's undone by its own rigidly old-fashioned conventions. Read more
Owen Gleiberman, Entertainment Weekly: Read more
Peter Rainer, New York Magazine/Vulture: [Chen] has a lovely sense of film rhythm and a sophisticated eye for luxe effects, but she fell into this vat of goo and there's no climbing out of it. Read more
James Berardinelli, ReelViews: A workmanlike product that offers occasional, small moments of satisfaction, but, as a whole, is apt to leave audiences wondering why they should care. Read more
Bob Graham, San Francisco Chronicle: Enjoyment of Autumn in New York depends to a certain degree on a viewer's tolerance for a mood of luxurious melancholy. At 105 minutes, it becomes too much of an indulgence. Read more
Emanuel Levy, Variety: Utterly banal, Joan Chen's tediously sappy romance is a kind of modern-day Love Story (a better film!) with a "twist": Richard Gere's suave lover is old enough to be Winona Ryder's father. Read more
Rita Kempley, Washington Post: The picture is a veritable bouquet of ardent cliches and witless sentiments. Read more