Kráska v nesnázích 2006

Critics score:
86 / 100

Reviews provided by RottenTomatoes

Ann Hornaday, Washington Post: A vivid, nuanced and sweetly forgiving study in moral ambiguity. Read more

Jonathan Rosenbaum, Chicago Reader: Impressive for its mastery, intelligence, and ambition in juggling intricate plot strands and memorable characters. Read more

John Hartl, Seattle Times: Beauty in Trouble uses another kind of catastrophe to reveal the true nature of its central characters. Read more

Leighton Walter Kille, Boston Globe: This being a Czech film, drama, comedy, history, and social commentary are served up in equal proportion. Read more

Kevin Thomas, Los Angeles Times: Deeply affecting and darkly amusing. Read more

Entertainment Weekly: Read more

Cary Darling, Dallas Morning News: While this seems like familiar territory, in the hands of director Jan Hrebejk and his longtime screenwriting partner, Petr Jarchovsky, it's an engrossing, layered story of the ill-fitting choices and compromises everyone makes. Read more

John Anderson, Newsday: Comedy and chemistry make for an intoxicating mix in this acerbic, knowing character study from Czech director Jan Hrebejk and screenwriter Petr Jarchovsky. Read more

V.A. Musetto, New York Post: Will Marcela (wonderful Ana Geislerova) opt for brains or brawn? The answer might surprise you. Read more

Steven Rea, Philadelphia Inquirer: Beauty in Trouble offers a meditation on the legacies of communism and the lure of capitalism, but also on the human need for love, connection and family. Read more

Roger Ebert, Chicago Sun-Times: This is the kind of film that achieves one simple but difficult thing: It pleases you. Read more

Ruthe Stein, San Francisco Chronicle: Read more

St. Louis Post-Dispatch: Read more

Ben Kenigsberg, Time Out: Read more

Joshua Land, Time Out: Read more

Eddie Cockrell, Variety: [A] masterful multicharacter drama. Read more

Michelle Orange, Village Voice: Unfortunately, Hrebejk settles for unsatisfying allusions to the Czech experience that never break through the thick haze of melodrama to make his case with any conviction. Read more