Kundun 1997

Critics score:
76 / 100

Reviews provided by RottenTomatoes

Susan Stark, Detroit News: Read more

Stephen Holden, New York Times: In imagining an exalted Buddhist version of a personal road not taken, Mr. Scorsese has made a film that is as much a prayer as it is a movie. Read more

David Edelstein, Slate: The music ties together all the pretty pictures, gives the narrative some momentum, and helps to induce a kind of alert detachment, so that you're neither especially interested nor especially bored. Read more

Kenneth Turan, Los Angeles Times: Careful and respectful, it is everything a movie about the Dalai Lama should be except dramatically involving. Read more

Jonathan Rosenbaum, Chicago Reader: Throughout the film cause and effect, the mainspring of most narratives, is replaced by a sense of spiritual synchronicity. Read more

Owen Gleiberman, Entertainment Weekly: Scorsese has taken the harsh mystery out of Tibetan Buddhism, and out of its oppression, too. Read more

Globe and Mail: A great film about a good man. Read more

David Denby, New York Magazine/Vulture: It's an extremely beautiful, boring movie. Read more

James Berardinelli, ReelViews: While Kundun boasts impressive cinematography (by Roger Deakins) and an effective score (by Philip Glass), the images and music aren't enough to hide the picture's essential hollowness. Read more

Roger Ebert, Chicago Sun-Times: I admire Kundun for being so unreservedly committed to its vision, for being willing to cut loose from audience expectations and follow its heart. Read more

Charles Taylor, Salon.com: Once you settle into the pace of the movie, you experience it as a continuous flow of incidents and images. Read more

Peter Stack, San Francisco Chronicle: Stunning, odd, glorious, calm and sensationally absorbing, director Martin Scorsese's Kundun is a remarkable piece of work with vital colors and a wrenching message. Read more

Time Out: Urged on by Philip Glass's throbbing, blaring score, the director conjures a phenomenal, trance-like climax, owing more to dreams, second sight and the mind's eye than conventional dramatic rhetoric. Read more

Emanuel Levy, Variety: Disregarding commercial considerations, Scorsese's haunting meditation on Dalai Lama's early life is a majestic spectacle of images and sounds, but it's bogged down by a routine script that fails to offer fresh insights on Tibet's non-violent culture Read more