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Reviews provided by RottenTomatoes
Robert K. Elder, Chicago Tribune: While some pedestrian camerawork and spotty acting from supporting players deflate Love Object, it has enough juice -- and a surprising twist -- to keep fans of the slow-burn horror genre enthralled. Read more
Los Angeles Times: Droll and modestly creepy horror film. Read more
Tom Maurstad, Dallas Morning News: All the student-film hallmarks are here: deep-think pretentiousness, annoyingly arty camera-work, cardboard-cutout characters and robotic dialogue. Read more
Chuck Wilson, L.A. Weekly: What's missing is any sense of why such a handsome man is afraid of women. That makes the premise hard to swallow, especially since Harrington is too commanding to be a believable dweeb. Read more
Lisa Rose, Newark Star-Ledger: It may have some glaring flaws, but it is certainly one of the more interesting romances to hit the big screen in recent years. Read more
Elizabeth Weitzman, New York Daily News: The patina of witty satire eventually gives way to a gratuitous sadism that makes this sordid story feel like a fraud. Read more
Elvis Mitchell, New York Times: Robert Parigi shows a kicky sense of humor in this brisk low-budget film, and ably creates a smirking menace. Read more
Roger Ebert, Chicago Sun-Times: The movie reaches with increasing desperation toward humor and grisly sadism, and the mood is broken. Read more
Carla Meyer, San Francisco Chronicle: What might have been a commentary on the objectification of women becomes an unrestrained forum for twisted ideas of sexuality. Read more
Joshua Land, Village Voice: Utilizes horror movie jolts to plumb male control-freakishness. Read more
Mark Jenkins, Washington Post: The sort of clumsy undertaking that trips up everyone and everything in it. Read more