Mannequin: On the Move 1991

Kevin Thomas, Los Angeles Times: From start to finish Mannequin Two: On the Move is insipid in the extreme. Read more

Desmond Ryan, Philadelphia Inquirer: Beneath this slick variation on the Sleeping Beauty theme lies a male fantasy that would not withstand much hard psychological scrutiny. Read more

John Hartl, Seattle Times: Unfortunately, the recycled plot is still the driving force here, and the movie becomes increasingly frantic trying to accommodate it. In the end, Raffill can't bring this dummy to life, but he does try. Read more

Janet Maslin, New York Times: This film has enough new characters and independent spirit to have a light, cheery style of its own. Read more

Mark Kermode, Time Out: Raffill's heavy-handed direction is jam-packed with product placement, and interrupted every ten seconds with yet another plug for a boring MOR rock song. Read more

Variety Staff, Variety: It took four writers to struggle with another idea of why a mannequin would come to life in a department store and what would happen if she did. Read more

Rita Kempley, Washington Post: Like the 1987 original, Mannequin Two: On the Move is a movie made by, for and about dummies. Read more