OSS 117: Le Caire nid d'espions 2006

Critics score:
76 / 100

Reviews provided by RottenTomatoes

Sid Smith, Chicago Tribune: French cinema's reputation for subtlety goes up in smoke with OSS 117: Cairo Nest of Spies, a movie whose satire proves as lame as its clunky title. Read more

Joshua Katzman, Chicago Reader: This French comedy fondly lampoons both the popular French spy movies adapted from Jean Bruce's novels in the 1950s and '60s and the colonialist era they were set in. Read more

Joe Morgenstern, Wall Street Journal: Hubert Bonisseur de la Bath is invincibly smug, occasionally smarmy and obsessed with food. If that whets your appetite, he's your homme. Read more

Mark Rahner, Seattle Times: Dujardin is what really makes it all work, though. He's an absolute riot, with Conneryesque looks and physicality, and the ability to segue into utter goofballery with a degree of arch-browed suaveness. Read more

Tasha Robinson, AV Club: The packaging is perfect, and the end results beat A View To A Kill any day. Read more

Richard Nilsen, Arizona Republic: A lame comedy with a few decent laughs and several yawn-spawning set pieces that don't really go anywhere. Read more

Wesley Morris, Boston Globe: Directed and co-written by Michel Hazanavicius and starring the French comedian Jean Dujardin as OSS 117, the movie is a sketch stretched to tedious feature length. Read more

Mark Olsen, Los Angeles Times: A pleasant sorbet to wash away the aftertaste of the pre-summer clunkers. Read more

Scott Foundas, L.A. Weekly: Closer in spirit to the deadpan stylings of early Zucker brothers than the more obvious slap-shtick of the Austin Powers franchise, Read more

V.A. Musetto, New York Post: The film is a collection of not especially funny routines - with lots of homophobic jokes thrown in - that have been done to death in previous movies of this sort. Read more

Andrew Sarris, New York Observer: I have never been a particular admirer of either James Bond or Austin Powers, and could hardly be expected to be overjoyed by a 'cross between them.' Hence, I was hardly surprised when I didn't crack a smile over the antics of Mr. Jean Dujardin. Read more

Roger Ebert, Chicago Sun-Times: The French-made movie travels familiar ground, with a nod as well to Airplane!, Top Secret and that whole genre. Even compared to them, it pushes things just a little -- not too far, but toward the loony. Read more

Andrew O'Hehir, Salon.com: Given that this is a French film, there's an unmistakable edge to its satirical portrayal of postwar East-West relations. Read more

Walter V. Addiego, San Francisco Chronicle: Dujardin nails his character, who is deeply dense but always seems to draw the winning card, mainly through dumb luck. And Hazanavicius clearly knows the '60s-era Bond films, which are full of ripe targets that he lovingly demolishes. Read more

Colin Covert, Minneapolis Star Tribune: A witty French espionage comedy that affectionately spoofs 1970s Eurospy thrillers. Read more

Hank Sartin, Time Out: Read more

Elisabeth Vincentelli, Time Out: Read more

Wally Hammond, Time Out: This light-hearted pastiche is a recommended antidote to 'Quantum of Solace'. Read more

Lisa Nesselson, Variety: Sparkling production design, a jubilantly retroretro score and a genuine flair for using the film and TV vocabulary of the '60s to revisit colonial arrogance put pic in the same conceptual ballpark as Austin Powers. Read more