Reviews provided by RottenTomatoes
New York Times:
The movie is sad, but it's also hugely funny, occasionally when it doesn't mean to be.
The operatic extravagance of Bernardo Bertolucci's style has emerged more clearly since this 1972 drama, which still managed to seem vaguely naturalistic in the midst of its extravagant camera moves and eccentric construction.
An uneven, convoluted, certainly dispute-provoking study of sexual passion in which Marlon Brando gives a truly remarkable performance.